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In the mid- to late 1980s rave culture developed. It influenced music, design, art, drugs, fashion, language and even the law. Emerging in the USA, it was refined in the UK by people who wanted to dance, party and express themselves in terms of art, music and culture. Originating in small, sweaty clubs and growing into enormous Raves with tens of thousands of people, 'house' music and ecstasy were the driving forces behind what turned into a global phenomenon. Events that started as secretive nights in underground clubs, with word-of-mouth advertising grew from one-off take-overs of unusual venues into huge open land-based events. Pager and telephonic communication became the medium of message-passing, and flyers were key to it all: informing the right people about the right place at the right time. Chelsea Berlin was there from the beginning, attending many of the now legendary events, from Club Shoom to Energy and beyond. In Rave Art, the whole exciting movement is documented through the flyers that were handed out freely (or sometimes privately) to inform partygoers of the next venue. Flyer design became an artform, and this book contains hundreds of the most significant and rare examples from Chelsea's huge collection. Rave Art paints a vivid picture of what is probably the last significant youth culture movement of modern times.
Chelsea Louise Berlin studied art and design at Chelsea School of Art and started a company in the mid-1980s, producing hand-printed and painted t-shirts, paintings and banners. She has exhibited painting, sculpture, furniture and photography and was involved in interior design, window dressing and prop making. She is custodian of her 'Berlin Collection', which comprises thousands of items of ephemera and collectables from the 1980s onwards, including nightclub and rave flyers, VIP cards and memberships, postcards, tart cards, magazines and film posters. Chelsea lives and works in London.
Mark Moore is a DJ and dance music record producer. He formed S'Express and had a number one single with them in 1988. He was at the forefront of the UK club and Rave scene from the very beginning and was highly influential in the popularity of House music in the UK and farther afield. He continues to DJ, mix, and produce, and he also writes for a number of magazines: www.markmoore.com